2019

Digital Line Art Print Installation, exhibited at Tengok Bustaman IV, Kolektif Hysteria, Semarang, Indonesia

Tengok Bustaman is a biennial village festival organized by Kolektif Hysteria in collaboration with local residents to cultivate a thriving ecosystem in the realms of culture, history, and art within the community. This time, I had the opportunity to participate as an artist in a series of exhibitions held during the event.Inspired by the paranoia of Kampung Bustaman which is synonymous with Gulai Kambing Bustaman. I raise the figure of Bustaman as a figure who has contributed to the discovery of Kampung Bustaman's identity since the 19th century.The process of making Gulai Kambing Bustaman is slaughtering goats and carried out every day, should be given a new paradigm for the service and willingness to sacrifice these goats, and for their sacrifice to provide for the people of their village, I have describe them as happy in heaven with Ki Bustam.The character of Bustaman in the illustration is very identical to traditional Javanese clothing because he was borns from Java. The decorative style with the use of negative colors in the illustration is an attempt to give the impression of an atmosphere of the astral world. Because Bustaman has passed away but the myst, legend, and stories about him are still remembered.I also strengthened the Gulai Kambing element by adding the installation of wooden planks which are usually used to serve Gulai Kambing Bustaman.

2019

Colored Hand Drawing on Fabric Print, exhibited at Pasar Branding Echo Tradistation

In this exhibition I took my daily objects as a art college student doing assignments, such items as cutters and paper punches, then I visualized them into items that could be sold by printing them on fabric, because this exhibition has the theme of Echotradition which combines technology but does not rule out other things that are ecological and traditional, so that I present the visual elements of plants that existed earlier in this world than anything else, which means they are always growing even in the midst of global acceleration. I manifest it in the form of a towel, which means a hope that development will never forget the past and keep washing each other.

2019

Digital Line Art Illustration for commision works "Stage of Relationship", Semarang, Indonesia

These works visualizes the stages in establishing relationships between humans and alludes to how we relate to nature, the surrounding environment, or other living things besides humans. There are several cases where many animals are treated cruelly by humans, and do not receive proper protection as living beings. The visual is also a protest against several groups that trade animals, or use animals outside their natural nature.In this artwork, I express a profound love for the relationship between humans and animals, acknowledging that despite their wild nature, all creatures are created to complement one another, even in this untamed world.

2020

Digital Line Art for official Illustration "Udan Salah Mongso (Rain in the Wrong Season)",
Galeri Nasional x Kolektif Hysteria, Semarang

Udan Salah Mongso provides a subjective explanation. The first time that I could think of was suffering, an imbalance that should not have happened or should not have happened. So, in this case I took the figure of a woman as the object of my illustration work, because women are considered more adaptive in dealing with sudden changes and umbrellas as objects that have a relationship with rain.Described a woman (half mermaid) as a representation of a person's adaptive process in facing the worst conditions, for example if this world is only water without land. The upside down umbrellas are a symbol of rejecting rain, which is out of season, as explained by Udan Salah Mongso. Drowning hands are people who fail to adapt to the vicissitudes of life.

2020

Childern Book llustration "Sigala Jataka Seri I & II", Universitas Negeri Semarang, Semarang, Indonesia

Illustrating the stories about Jataka of Borobudur Temple for the children's fable book "Sigala Jataka", a humorous story of Buddha and taken from one of the reliefs at Borobudur, Magelang, Indonesia. I describe many elements of joy in it, and still adhered to the decorative style with a placard technique.I poured them into the form of several merchandise such as tote bags, children's shirts, and various stickers, to engage more with the target market for book sales. Essentially, this is a requirement for the prototype of a senior college student's illustration exhibition in the Visual Communication Design department.

2021

llustration for Official T-Shirt "Mega Koalisi (National Birds Festival)", Borobudur Anual Event, Magelang, Indonesia

"Burung Garuda" is the Indonesian term for the mythical bird Garuda. In Indonesian and Hindu mythology, Garuda is a large, sacred bird that is often depicted as the mount (vehicle) of the god Vishnu. It is considered to be a symbol of power, strength, and protection. The Garuda is also the national emblem of Indonesia and is featured on the country's coat of arms and currency."Koalisi" is an Indonesian word that translates to "coalition" in English. It refers to a temporary alliance or partnership formed by different individuals, groups, or political parties to work together towards a common goal or objective. Koalisi is often seen in politics, where multiple parties with shared interests join forces to gain more influence or achieve certain policy objectives.I designed this illustration based on the taste of the client who asked for an illustration with dark colors and included the visual elements of Borobudur and the Garuda bird in the middle, then I combined it with my illustration style, namely tendrils so that it looks more decorative.The Garuda bird itself is the symbol of Indonesia, so I have to be careful with the description of the number of feathers so as not to miss the basic philosophy.

2021

Mural for Tengok Bustaman V "Ingatan Bersama" Kolektif Hysteria x Kampung Bustaman (Place Making Art Project)

The Place Making Project is a project aimed at transforming a physical space into a more vibrant and community-oriented place. In this project, a curator team collaborates with local residents to create an engaging environment. During the project's implementation, local residents participate in community activities such as tree planting, street art, or local exhibitions. The main goal is to foster a sense of ownership and pride in their own community. Through active community participation, the project not only creates a better space but also enhances social bonds, interactions, and the overall quality of life in the surrounding area.In this section, artists are encouraged to explore the history of Kampung Bustaman in terms of its origins, significant events that shaped it, and the changes that have occurred over time. Through archival research and interviews with key figures in the village, artists unveil the pages of the past that might have been forgotten. Here, we can recognize the role of this village in the development of the city and its surrounding community.The curatorial writer conveys the fact that despite the many living legacies, some aspects of this village's history could be forgotten.The stories from the older generations that have disappeared, and scattered ancient objects/sites become the focus of research. The writer emphasizes the importance of preserving these memories to pass them on to future generations.

2022

Sketches, exhibited at "Bagaimana Mengenang Maumere", Komunitas KAHE, Maumere, Indonesia supported by the Goethe-Institut and other partners

Maumere is a town located on the northern coast of the island of Flores in Indonesia. It is the largest town in the Sikka Regency, which is part of East Nusa Tenggara province. Flores itself is an island known for its breathtaking landscapes, diverse cultures, and unique traditional villages. Natural Beauty: Flores is renowned for its stunning natural landscapes, including lush green hills, terraced rice fields, pristine beaches, and picturesque volcanoes. One of the most famous attractions in the area is Kelimutu National Park, home to the Kelimutu volcano with its three brightly colored crater lakes. Rich Culture and Traditions: Flores is home to a mix of ethnic groups, each with its distinct traditions, languages, and customs. The island is known for its vibrant cultural festivals, traditional dances, and unique handwoven fabrics.Overall, Maumere and Flores offer a unique blend of natural beauty, cultural richness, and adventure, making it an increasingly popular destination for both domestic and international travelers seeking an authentic and off-the-beaten-path experience in Indonesia.Sketches of Jurnal Book 'Vacation to the East' as an effort to preserve the archives of local cultural, traditional, intellectual property in Maumere and its surroundings, as well as an alternative depression catcher program. These works play on past timelines to the present, representing things that still need to be deconstructed or relevant to the future as a reinforcement for the people of Maumere who understand origins and speech from time to time.

2022

Mural, exhibited at "Bagaimana Mengenang Maumere", Komunitas KAHE, Maumere, Indonesia supported by the Goethe-Institut and other partners

This is the mural that i've made when i did residecy, by this visual i told my experience about many people i've met and the characters of altruism people in Maumere that was related for the living and dead dimensions of space & time (religiosity) | Wallpaint on wall (size 250 x 250 cm) | 2022

2022

Layouting Flores Writers Festival program book "Ludung Wa Mai Tanan" Klub Buku Petra, Manggarai, Nusa Tenggara Timur, Indonesia

Ludung Wa Mai Tanan 'Sprouts from the Underground' is an allegory of the development of literature in NTT. Soil can be read in a plural sense: as identity, source, context, and, if necessary, something problematic in creative work, as seen in the recent works of authors from NTT.For example, the dominance of visual imagery in Mario F Lawi's work (Curator), in general reception, may be seen as a limited natural phenomenon in Indonesian poetry. However, if one reads it in relation to church history and tradition, the visionary imagery is rooted in the concept of "witness" in the Christian tradition. “Testimony” is another face of the Bible. Because, the calculation of the quality of Mario F Lawi's creative work needs to be assessed in terms of pragmatics (effect on the audience), namely the extent to which the image creates new images of things that are already familiar in the minds of Bible readers – something that might be difficult in the Indonesian (literary) context.
________
Published by Petra Ruteng Book Club 2022
Copyright Flores Writers Festival 2021Script Supervisor: Eka Putra Nggalu
Editor: Retha Janu, Maria Pankratia
Layout & Design: Hananingsih Widhiasri
Cover Illustration: Aldo Fernandez

2022

Archival Sketches, exhibited at "Waktu Indonesia bagian Tengah" Artotel Gajahmada, Semarang, Indonesia

Recent sketches; reference based on old photographic archives of Flores people and their surroundings from the Bikon Blewut Museum, NTT (original doc. via KAHE Community). All of the works with the title Nibon Kibok which means a bud that has just emerged is stored in the Museum.This museum houses several collections of cultural tools from the Paleolithic, Mesolithic, Neolithic, to the Bronze Age. In addition to a collection of cultural tools, the museum also houses fossils of fauna and flora and a collection of cultural arts from the people of Flores and NTT in the contemporary era. The collection at the Bikon Blewut Museum was collected starting in 1965 by Father Verhoeven, a missionary of the SVD Order who had an interest in ethnology, linguistics and local cultural anthropology.

2022

Game Making Group, exhibited at documenta fifteen "Good Game Well Played" Museum Fridericianum, Kassel, Germany

GOOD GAME WELL PLAYED is a Mini Open World Cood Multiplayer Experience exhibited at documenta fifteen as part of Gudskul on July 7th - 17th 2022, made in collaboration between the artists of a view artists and Games Klasse. The inspiration of this game is how the collectives can solve some problems on their suffer.Artists: Timbil Budihardjo, Fransiskus Xaverius Geger, Cheng Ka Man, John Chow Ho Fung, Tommy Ari Wibowo, Hananingsih Widhiasri, Marian Abboud, Maissa Alameddine, Ahmad Hafid Hidayatur Rohman, Mohammad Fabian Aldiano.Games Klasse : Sasha von Berlepsch, Jan-Hendrik Gebbe, Giuliana Brede, Vivi Frank, Liam Swanton, Sven Mehlhorn, Dafina Leposhtica, Lena Risse, Tobias Zarges.

• Game Klasse Kunsthochschule Kassel

2022

Joint Class Artists, exhibited at documenta fifteen "Pocket Stories" Museum Fridericianum, Kassel, Germany

The pocket stories project is our interactive installation work in a joint class program, this project wants to convey the current moment of 'the now', by attracting visitor interaction and sparking how a person are able to tell what are in themselves that they are carrying at this time, whatever it is.They considers it valuable that are kept in his pocket, tells it in front of many people, then takes turns choosing other people to do the same thing, when the game ends we all know that everyone's things can be meaningless and very meaningful to other people, and that are social archives we can formed.Joint Class Artists: Alma Oline, Erwin Windu Pranata, Fredrick Okai, Geysada Annisanamora, Hananingsih Widhiasri, John Cow Fung, Nicholas Ofori.

• A presentation of the participants from Kelas Bareng (Joint Class) that emerged out of collaborative efforts between the lumbung member Gudskul, Städelschule, blaxTARLINES KUMASI, and Nordland kunst- og filmhøgskole in 2020.

2022

Illustration for collaborations merchandise "Rites of Sense" with Media Legal, Kolektif Hysteria, Semarang, Indonesia

Rites of Sense was created to open up the imagination about the complex spiritualism ideas of Indonesia's predecessors, about how they were free from threats to the safety of souls from pre-generation to post-generation.This artmerch includes the Song of Rumeksa Ing Wengi by Sunan Kalijaga, specially dedicated to accompany and bless what we are wearing today.

2022

Cyanotype Workshop for Collectives Project (Kolektif Hysteria, Floating Projects & Britto Art House at documenta Halle Gustav-Mahler-Treppe, Germany

Using paper to cyanotype the things that you shared with others here. It can be food, daily necessities, or any abstract stuff. After that, we would showcase all the cyanotype collections at Gudspace, Fridericianum. Cyanotype is a super easy (and cheap) photo printing process that you can do at home with a few special materials. Digital pictures printed as cyanotypes make great gifts. Some history, from wikipedia : Cyanotype is an old monochrome photographic printing process which gives a cyan blue print. But in this session we was made for organic print. This workshop was held on August 18th 2022 at 4 p.m - 6 p.m at documenta halle - Britto KitchenLanguage: English, Indonesia, CantoneseHosting by:
Dory, Cheng Ka Man
Hananingsih Widhiasri
Mohosin Kabir Himalay

• FP at Documenta 15, a journal series (5): Acting Out 實作

2022

Installation "Relax Moment Sketch", exhibited at Fridskul, documenta fifteen, Museum Fridericianum, Kassel, Germany

Relax Moment Sketch is a participatory artwork to provide a means for the participants/visitors how they can process the external and internal atmosphere within themselves, this work is also an art of psychotherapy. We all also know that a neighboring country is in a cold conflict, many people are migrating and changing places because they are executed and uncomfortable, they need space that they can build themselves.This participatory work has been runs from August 5th-16th 2022, at documenta fifteen, Museum Fridericianum together with Lumbung Love Collective, Gudskul.

2023

Layout & Cover Illustration for "Tunggang Langgang" Syamsul Arifin, Tanglok ArtForum, Rimpang Nusantara, Cemeti-Institut untuk Seni dan Masyarakat, The Next Generation-Prince Claus Fund-Sampang & Yogyakarta , Indonesia

Tunggang Langgang is an art project that departs from the keywords archive and memory as a basis for ideas. Archives and memories have both interesting and problematic possibilities. Archives in their management have unlimited possibilities of preservation and reproduction.Meanwhile, memory has its own problems, namely the potential to be forgotten or forgotten due to human factors or systematically intentional. The two keywords above are projected onto Trunojoyo's historical narrative which is interesting to read or re-study, especially regarding his perspective and thinking technology which he tries to dialogue with today's reality.

2023

Layouting & Cover Illustration for
"Sawego Ing Diri" Katalog Program PekaKota Institute & Kolektif Hysteria, Semarang

Different from most rural areas that have solid traditions, urban villages, including other areas like kelurahan in Semarang, are losing momentum in their annual festivals. Sometimes, the disappearance of these events coincides with state administrative agendas, as in the case of Wonolopo, which used to be part of the Kendal region but became part of Semarang City. This administrative change also affects the government structure in the area, where what was once a village with leaders chosen by the residents now becomes an urban village with a head appointed by the city government. Some traditional village positions, such as Jagabaya (a village guardian) and kepala dusun (hamlet chief), disappear. However, these positions often played important roles in preserving the village's culture in the past. With the end of these positions, the village festivals gradually fade away as well.Sobo Roworejo, just like Festival Bukit Jatiwayang, Gebyuran Bustaman, Panggilan Kali Semarang, and Susuk Wangan Randusari, are a few of the initiatives undertaken by Hysteria along with the villages to rediscover their traditions. Sometimes, these efforts succeed, and sometimes they don't. They may last for a considerable time, but sometimes they die out with the passing of courageous individuals who supported them.

2023

Layout & Cover Design
for "Lima Tahun Nginguk Githok"
Kolektif Hysteria, Semarang

"Nginguk Githok" originates from two Javanese words, "nginguk" meaning to see and "githok" referring to the back of the neck or nape. The combination of these two words forms the meaning of seeing one's own nape, signifying something impossible unless this phrase is interpreted connotatively as an effort for self-reflection or self-awareness. This frame is eventually used to weave together the tradition of "sedekah bumi" (earthly offering) in Sekararum, which has probably been going on for tens or hundreds of years since the early days of the hamlet."Sedekah bumi," which has become a tradition, is reinterpreted in the contemporary context according to current issues or opportunities. After five years of this intervention, a post-event catalog has finally been compiled to mark what has been passed and what is projected in the future.This writing is just a brief introduction to the annual journey and selected themes, making each celebration have diverse articulations of various issues, avoiding repetitive monotony and lack of ideas. Throughout the last six years (excluding the pandemic year of 2020 with its restrictions), the event has been organized five times, with the following themes being raised.However, "Nginguk Githok" is an effort of recontextualizing the annual tradition of "sedekah bumi" in Sekararum Hamlet. Sekararum itself is not a village with a beautiful natural landscape typical of tourist villages. Reliant on rain-fed rice fields, the agricultural land is not highly productive. Recently, the rice fields have been extensively cultivated with tobacco. On the other hand, tracing the past in this hamlet reveals that it used to have numerous art groups whose DNA has been inherited by the current young generation, rich in ideas and creativity. The residents face social and economic issues in various ways, and "Nginguk Githok" is one of their attempts to seek breakthroughs.After five years, many critical questions arise. What is the outcome of these interventions? What are the benefits for the committee and the involved residents? Has this activity made the residents, especially the youth, think more critically and creatively about their village? Or is it merely a leisure activity and nothing more? Who benefits from this, and so on? Five years with rapidly changing players have not resulted in everything being well organized. Problems don't simply disappear; as one challenge is resolved, another arises. Each generation has its own period of heroism. One thing is certain, the journey is not over; the path has been laid out, and it remains to be seen whether the next relay will embrace these challenges or not.

• bit.ly/NgingukGithok

2023

Catatan Perjalanan II
"Perkawinan Priyayi Jawa di Tahun 1975"

After a year ago, "Melawat ke Timur" (Visiting the East) became my first Travel Journal. Finally, today I am releasing Travel Journal II. This journey may seem diverse, but only we know the whereabouts of the heart and mind. In this second travel journal, I share stories about the Javanese Priyayi Marriage in 1975 that I encountered during my stay in Wonogiri in the last few months.This journey takes us exploring the past, enjoying the beauty and uniqueness of Javanese cultural traditions and values surrounding marriage. In fact, the way it is conducted is not much different from modern Javanese wedding ceremonies today, but its classic appearance makes it captivating to experience through reading and visuals.

2023

Jalan Selamat
Sedekah Bumi Project

Title: Jalan Selamat
Media: Canvas Tent Installation & Light Stenciling (Zeotrop)
Size : d. 3 meters, vol. 3 x 8 x 5 mThe profound connection between the practice of "sedekah bumi" and the cultural wealth of a community is a fascinating phenomenon. In Sekar Arum Village, Rembang, as well as Lalang Village, Belitung, we can observe how closely this relationship influences the social structure and dynamics of the society. This practice is rooted in the consensus of the residents, embedded in age-old traditions, and possesses a very strong sacred dimension.The sacredness attributed to "sedekah bumi" brings with it an extraordinary influence. It not only creates a bond between the residents and their cultural roots but also opens up space for more flexible and diverse forms of the profane. This effect extends even further, having a positive impact on economic growth and social stability in these villages.The importance of the sacred and profane dimensions in the tradition of "sedekah bumi" is not only related to material aspects but also to the quest for spiritual salvation and protection from worldly threats. Through this practice, the community finds a way to achieve tranquility, protect themselves from spiritual dangers, and maintain security from any potential threats. This is one of the valuable cultural riches that demonstrates the complexity of the interrelationship between tradition, social aspects, and the economy within a society.

• Media Release

2023

Anglelana Angidheri Bumi
Damalung Blueprint (Group Exhibition)
at Semarang Gallery

Title: Anglelana Angidheri Bumi
Media: Bamboo Instalation, acrilyc on canvas & audio visual (240 x 400 cm);(50 x 50 cm);(3’:30” 1920x1080px)Salah satu manuskrip koleksi Merapi-Merbabu, 7 pupuh Kidung Surajaya, menunjukkan pentingnya gapura dalam budaya Jawa sebagai simbol transisi dan permulaan babak baru dalam kehidupan. Gapura dalam konteks ini tidak hanya menjadi penanda fisik, tetapi juga representasi dari perjalanan hidup, serupa dengan konsep ‘lelaku’ dalam pendakian gunung.Konsep moksa dalam Kidung Surajaya mencerminkan perjalanan spiritual yang bersifat personal dan berkelanjutan, yang bertujuan untuk mencapai pemahaman tentang diri sendiri dan dunia sekitarnya, serta mencapai kedamaian dan pembebasan. Praktik moksa, baik pada masa Surajaya maupun di era kontemporer, dapat diinterpretasikan melalui konsep ‘anglelana angideri bumi’ atau ‘berkelana mengelilingi dunia’. Setiap langkah dalam perjalanan ini dianggap sebagai upaya untuk memperoleh pengetahuan dan pembebasan diri. Kidung Surajaya memperkuat pemahaman tentang pentingnya perjalanan fisik dan metaforis dalam pencapaian kesempurnaan hidup, serta peran situs-situs suci dalam mendukung proses transformasi spiritual tersebut.

• Semarang Gallery

2023

Praktik Mendahului Kata: Yang Penting Capek (Cara Ampuh Praktik Estetika Kolektif)
Pekan Kebudayaan Nasional 2023

Buku - Collective Writing

• Media